Gangajal after it seems not much has changed thirteen. Prakash Jha yet through his films to expose the link between politicians and corrupt police holds the rigid mantle. Only this time, it takes a woman to shake the system and Jha, for a change, is in front of the screen - a lot.
Director: Prakash Jha
Cast: Priyanka Chopra, Prakash Jha, Manav Kaul, Ninad Kamath, Murli Sharma, Kiran Karmarkar
Cast: Priyanka Chopra, Prakash Jha, Manav Kaul, Ninad Kamath, Murli Sharma, Kiran Karmarkar
Ratings:
(2/5)
(2/5)Gangajal after it seems not much has changed thirteen. Prakash Jha yet through his films to expose the link between politicians and corrupt police holds the rigid mantle. Only this time, it takes a woman to shake the system and Jha, for a change, is in front of the screen - a lot. So much led a botched Jai Ganga hand works just behavior and slo mo clashes with his lecture on force. Jai Ganga best seems like an endless frenzy either missing, threatened and roads and police and is running with politicians duel of words. Despite all the action and drama, Jha world is now all-too-familiar with your audience is unable to attend.
Aura Mathur (Priyanka Chopra), a Chief Superintendent of Police is married to his work. Dear as it is known by its work immediately to local politicians don Babloo Pandey (human Kaul) and his brother Dabloo (Ninad Kamath) is cut with both the population and the police decision. A puppet circle alias Bhola Nath Singh Babu (Prakash Jha), an officer who saw the size of the living king and indebted farmers off the land ignores criminal grab brother.
On the contrary, we have summarized a no-nonsense police, honest and strict wield the stick is not afraid to put in its place hooligans do not know much about other than that. In terms of audience applause are not her, Dear "Aaj Humein man Bana Diya" is complemented by male subordinates. Of course, what better than a man than a woman of worth celebrating! Singh and Bhola Nath Jha in dirty political awakening moral guilt and sink it your way slower than what he or perhaps see a broader perspective on gender inequality in the construction does not bother is. While it is commendable that Jha Bollywood tropes Mathur for bringing in a love interest does not hunt, it still seems a dimension.
Vigilante Justice: half past two Jha, who is already on another issue, suicides and powerful mafia of land, the resort was pushed. Nirbhaya clear reference to the case - - rape of a young woman and subsequent death drew public anger when law and order is lost as his teenage brother takes matters into his own hands. Jha scene as powerful as it is defined, it is also alarming. Murder suicide are passed, a level head lion tug- war boils sudden policeman theoretical and Babloo Pandey is between a vengeful politician.
For his honesty, Jai Ganga some exaggerated narrative tense can not hide the lack of background score. Battle of the powerful against the powerless can monopolize the spotlight so quickly that the person is put aside. Rahul Bhatt is such a pleasure to applaud whenever Jha made sporadic appearances in crisp cotton shirts. Chopra puts in a measured performance, pulling away from action scenes with confidence. But the promise never to part with which it is exposed at the beginning depends. Indeed, the lion Jha, becomes the center of attention of the bad with the good cop is a journey. Jha is at least as an actor and enjoys delivering the lines himself written and we discovered some punches hit. So time to turn Bhola Nath Singh, the hero makes a flying leap valued by Jai Ganga celebrates the miracle? Credulous, it seems, not so innocent after all.
Hopefully the JH title and tagline follows the infamous vigilante justice is the end.